Written by a highly regarded expert on entrepreneurship, this bestselling textbook provides an engaging and comprehensive overview of corporate entrepreneurship. Now in its fourth edition and fully revised throughout, this accessible text is structured in four key parts that cover everything a student needs to know about the topic. After an initial consideration of what constitutes corporate entrepreneurship and innovation, the author then guides students through the four pillars of entrepreneurial architecture: culture, structure, leadership and strategy. The third section focusses on the entrepreneurial mind-set, including how to encourage creativity, business ideas and developing concepts. Finally, the book draws attention to corporate venturing, examining venture teams, intrapreneurs, market development and the role of shareholder value. It is no longer sufficient for businesses to grow simply by cutting costs and taking over competitors. To achieve true success, organisations must avoid an ageing product or service portfolio to bring new, innovative ideas to market. Corporate entrepreneurship is inherently risky and therefore requires a fresh approach to strategy. The approach Paul Burns offers will successfully overcome barriers to launching new ideas, internal challenges of managing creativity and show how to foster an entrepreneurial culture. This is the go-to textbook for all students studying Corporate Entrepreneurship, Intrapreneurship or Corporate Venturing at undergraduate, postgraduate or MBA level. The book is also essential reading for courses on Strategic Entrepreneurship and Innovation. New to this Edition: - Fully revised and updated content throughout with new four-part structure - Brand new case studies in every chapter, featuring some of the world's highest profile companies from across the globe - A greater focus on innovation, including a new chapter on this topic at the start of the book - New chapters on 'Developing a Business Model', 'Managing Change' and 'Managing Risk' - New on-page glossary with key terms highlighted in the text and defined in the margins - New Activities and Group Discussion topics at the end of each chapter Accompanying online resources for this title can be found at bloomsburyonlineresources.com/corporate-entrepreneurship-and-innovation-4e. These resources are designed to support teaching and learning when using this textbook and are available at no extra cost.

Jon Sobrino continues the magisterial christology begun in Jesus the Liberator. In that book Sobrino examined the identity of Jesus in relation to his message, his interlocutors, and the conflict that led to his death. In this second volume he takes up the Resurrection of Christ, the christology of the New Testament, and finally the christological formulae of the early church councils.

Throughout Christ the Liberator Sobrino writes from the reality of faith, as set in motion by the event of Jesus Christ, and from the situation of the victims -- the "Crucified People" of history -- particularly the poor of El Salvador, with whom he works. With Christ the Liberator Sobrino's christology takes its place among the most significant contributions of Latin America to the church and theology today.

Federico Garca Lorca was born near Granada in 1898. Initially set on studying music in Paris, after his piano teacher died in 1916 he became involved in a literary and artisitc group, including H G Wells and Rudyard Kipling. This move towards a more literary life eventually paid off. Blood Wedding (Bodas de Sangre) was written in 1932, and was first performed in Madrid in March 1933. It proved to be the popular and critical success he'd been waiting for. When the play was staged in Buenos Aires he even found himself confronted with the prospect of wealth - a prospect that soon became a reality. This prosperous, happy spell was short-lived though, as the political situation in Spain altered under Franco, putting an end to this time, and ultimately, his life. Lorca was executed on August 18th 1936. Blood Wedding is based around the story of a young woman who, unable to wed her lover is made to marry a more suitable man. On the day of her wedding, however, La Novia (The Bride) runs away with her lover (Leonardo), who is married with children. A series of events ensues... Leonardo is the only character in the play to have a name, the others all being identified by their role: El Novio (The Groom), La Suegra (The Mother-in-Law). As with many of Lorca's plays, symbolism is key, with the moon and death personified. This is the first play in Lorca's trilogy of rural tragedies, with Yerma and The House of Bernarda Alba being second and third.

On 27 August 1979, Paul Burns's life changed for ever. Travelling through Warren Point in Northern Ireland when the IRA detonated two massive bombs, he was involved in a devastating explosion - eighteen soldiers were killed that day; Paul was one of only two who survived. Newly recruited to the Parachute Regiment, Paul was performing a tour of duty in Northern Ireland when a four-tonne truck in which he was travelling was destroyed by a massive IRA bomb. Eighteen of his friends and colleagues were killed in the Warrenpoint blast - the biggest single loss of life for the British Army during the Troubles. Paul barely survived. His body was broken. His left leg was amputated below the knee. His skin was burned down to the bone. Those who saw him wondered if it might not be kinder to let him die. At just eighteen, Paul thought his life was over. But he refused to be beaten. He had made a promise to himself that he would make up for the loss of his friends' lives by living his own life to the full. And just over five years later he was a member of the elite parachute display team, The Red Devils. In 1996 he entered the record books as a member of 'Time and Tide': the first ever disabled crew to sail around the world. Today he works as a disabled extra in tv and film - amongst his accolades he can count a role in Hollywood blockbuster Gladiator. His story is a remarkable tale of one man's determination to make the most of his life against the odds.

****This is a pocket-sized version of the A4 pictorial guide***Whatever the shape or size of a business, they all have one thing in common - they hope to make money. A major factor in determining success is the ability of management to control its finances. Business Finance painlessly demystifies the process of accounting and the understanding of business finance. Follow the adventures of a small-time entrepreneur and his finance director as she helps him turn his business from a potential casualty of the 'Death Valley Curve' into an efficient, profit-making success story. Balance sheets, profit and loss statements, cash flow, working capital, depreciation, cash flow forecasting, budgeting, and gearing are all explained making this the book to guide readers safely through the jargon jungle of financial management.

Federico Garca Lorca was born near Granada in 1898. Initially set on studying music in Paris, after his piano teacher died in 1916 he became involved in a literary and artisitc group, including H G Wells and Rudyard Kipling. This move towards a more literary life eventually paid off. Blood Wedding (Bodas de Sangre) was written in 1932, and was first performed in Madrid in March 1933. It proved to be the popular and critical success he'd been waiting for. When the play was staged in Buenos Aires he even found himself confronted with the prospect of wealth - a prospect that soon became a reality. This prosperous, happy spell was short-lived though, as the political situation in Spain altered under Franco, putting an end to this time, and ultimately, his life. Lorca was executed on August 18th 1936. Blood Wedding is based around the story of a young woman who, unable to wed her lover is made to marry a more suitable man. On the day of her wedding, however, La Novia (The Bride) runs away with her lover (Leonardo), who is married with children. A series of events ensues... Leonardo is the only character in the play to have a name, the others all being identified by their role: El Novio (The Groom), La Suegra (The Mother-in-Law). As with many of Lorca's plays, symbolism is key, with the moon and death personified. This is the first play in Lorca's trilogy of rural tragedies, with Yerma and The House of Bernarda Alba being second and third.

Miguel de Unamuno y Jugo was born in Bilbao on 29th September 1864. He wrote novels, essays, poems and plays, and in addition to these he played an important part in the political and intellectual life of Spain - an involvement that led to his exile to Fuerteventura in 1924. San Manuel Bueno, mtir (1930) was his last novel before his death in 1936. It tells the story of a heroic priest who has lost his faith in immortality, a theme that had interested Unamuno for many years. The setting of the novel is atmospheric and significant, the characters shadowy and symbolic. The book overall is a synthesis of Unamuno's philiosophy.

Gabriela Mistral (1889-1967), Chile's 'other' great poet of the twentieth century, is little known outside the Spanish-speaking world, and unlike Pablo Neruda has not been extensively translated into English. She deserves better, particularly as the first Latin American recipient of the Nobel Prize for Literature (1945), and this selection of her poetry is designed to introduce her to an English-speaking public. Born Lucila Godoy Alcayaga in the Elqui valley in the 'little north' of Chile, she became a schoolteacher at the age of fifteen and went on to become an educator of international renown, an architect of educational reform in Mexico, and a cultural administrator at the League of Nations. She began publishing prose and verse pieces in newspapers and reviews at about the same age. Four major collections of her poems were published in her lifetime: Desolacion (Desolation) in 1922, Ternura (Tenderness) in 1924, Tala (Felling) in 1938, and Lagar (Wine Press) in 1954, followed by Poema de Chile published after her death. Poems from each of these five collections are included here. The landscape and people of her native Chile are a constant theme in her work, even though she lived most of her adult life away from Chile, largely as a consul - unpaid for many years - in Europe, Brazil, and the U.S.A., where she died. Her great love of children, who were the main preoccupation of her life and whom she both understood and respected; motherhood, and her lack of it; loss of people she loved; religious faith, tested and at times unorthodox, are other abiding themes. Her language is direct, passionate, rooted in local usage. The whole of her work, in prose as well as in verse, is a reflection of the absolute integrity of her life.

Gabriela Mistral (1889-1967), Chile's 'other' great poet of the twentieth century, is little known outside the Spanish-speaking world, and unlike Pablo Neruda has not been extensively translated into English. She deserves better, particularly as the first Latin American recipient of the Nobel Prize for Literature (1945), and this selection of her poetry is designed to introduce her to an English-speaking public. Born Lucila Godoy Alcayaga in the Elqui valley in the 'little north' of Chile, she became a schoolteacher at the age of fifteen and went on to become an educator of international renown, an architect of educational reform in Mexico, and a cultural administrator at the League of Nations. She began publishing prose and verse pieces in newspapers and reviews at about the same age. Four major collections of her poems were published in her lifetime: Desolacion (Desolation) in 1922, Ternura (Tenderness) in 1924, Tala (Felling) in 1938, and Lagar (Wine Press) in 1954, followed by Poema de Chile published after her death. Poems from each of these five collections are included here. The landscape and people of her native Chile are a constant theme in her work, even though she lived most of her adult life away from Chile, largely as a consul - unpaid for many years - in Europe, Brazil, and the U.S.A., where she died. Her great love of children, who were the main preoccupation of her life and whom she both understood and respected; motherhood, and her lack of it; loss of people she loved; religious faith, tested and at times unorthodox, are other abiding themes. Her language is direct, passionate, rooted in local usage. The whole of her work, in prose as well as in verse, is a reflection of the absolute integrity of her life.

Antonio Machado was born in Seville in 1885 and died in southern France early in 1939, escaping from the Nationalist advance in the Spanish Civil War. He is increasingly recognized as one of the four greatest Spanish-language poets of the twentieth century, but lack of adequate translations has limited his appreciation in the English-speaking world. Here a native Spanish and a native English speaker set out to remedy this deficiency. The beauty of his landscape, fused with its sadness as his young wifeAEs resting pace gave Machado his distinctive voice: intimate, elegiac, at once detached and involved, most characteristically expressed in Campos de Castilla (1917), from which many of the poems here selected are taken. The language of his poetry is spare, relying strongly on nouns and adjectives, asserting more than describing, equally anti-baroque and against the aeexcesses of modern cosmeticsAE (Self Portrait). His father had been a collector of folklore, and Machado saw the romance (ballad) tradition as lying at the heart of the authentic Spanish poetic tradition. English cannot recreate the assonance on which he relied, but this translation captures the essential rhythm as well as the poignancy of the original. Spanish text with facing-page translation, introduction and notes."

This new edition of the market-leading textbook by Paul Burns offers an unrivalled holistic introduction to the field of entrepreneurship and valuable guidance for budding entrepreneurs looking to launch their own small business. Drawing on his decades of academic and entrepreneurial experience, the author takes you on a journey through the business life-cycle, from the early stages of start-up, through progressive growth, to the confident strides of a mature business. Combining cutting-edge theory with fresh global examples and lessons from real-life business practice, this accessible and explorative textbook will encourage you to develop the knowledge and skills needed to navigate the challenges faced by today's entrepreneurs. Entrepreneurship and Small Business will help you to: - Learn what makes entrepreneurs tick with brand new Get into the Mindset video interviews and an exploration of entrepreneuial character traits - Seamlessly incorporate multimedia content into your learning with the new Digital Links platform accessed via your smart device - Understand how worldwide events can impact small businesses through incisive analysis of the effects of the COVID-19 pandemic - Grasp how entrepreneurship differs around the globe, with over 100 Case Insights and new examples from a diverse range of countries and industries - Ensure your understanding of the entrepreneurial landscape is up-to-date, with new chapters on recruiting and managing people, and on lean methodologies and business model frameworks. This is the ideal textbook for students taking undergraduate and postgraduate Entrepreneurship or Small Business Management courses, as well as for MBA students.

Structured around the author's tried-and-tested New Venture Creation framework, this textbook encourages practical learning, enabling you to launch and develop your business. Broken down into three phases - Research, Business model development, Launch - the book provides a systematic approach which tells you everything you need to know and, most importantly, everything you need to do, to start a new venture. You will learn how organisations and entrepreneurs address issues via real life case insights and quotes, while fictional case studies are presented to explore how you might choose ways forward in your entrepreneurial journey. The popular and effective Workbook, which enables you to work through your thoughts and ideas on business development and construct a profile of your new venture, is now presented in a digital format. A new Digital links booklet directs to company websites and interviews with entrepreneurs, and these resources are designed so that they can be used concurrently with the book. This edition includes new material on the importance of anticipating new challenges and the need for re-strategizing and building resilience, while sustainability and diversity have been foregrounded in a re-examination of the case studies. New Venture Creation is the essential textbook for preparing for real-life entrepreneurial experience: accessible, practical and grounded in academic insight.

In the twentieth century a number of novelists, artists, and filmmakers, resurrected the life of Jesus genre made so popular in the eighteenth and nineteenth centuries by Renan, Strauss, and others. In addition, novelists Norman Mailer, Jose Saramago, and Ricci have written their own "gospels."
Burns' collection--taken from a conference at a 2004 regional SBL meeting--explores the ways in which these portraits of Jesus continue to fulfill the familiar observation that people tend to depict Jesus in their own image. In several of the portraits of Jesus, the artists offer a creative response to the realities of the human condition of our time.

This practical resource is essential reading for wireless communications engineers whose projects involve the use of cutting-edge software radio technology. It covers all aspects of systems design and explains various options for hardware, including a look at current and state of the art silicon technologies. The book places special emphasis on how software radio technology can solve many of the problems faced by professionals designing third-generation cellular mobile systems. The book concludes with an overview of engineering design assistance software tools that are becoming so important for the successful development of embedded radio products.

Seeking "to discover whether Jesus' message of liberation had a word to say to me as a woman, " Carla Ricci found the key in Luke 8:1-3, which mentions the women with Jesus at the outset of his public activity in Galilee, listed after the Twelve. This, she discovered, is a text the (male) exegetes have systematically ignored for 1900 years. She found a group of women who unswervingly followed Jesus - the only ones, when the male apostles and disciples fled - from Galilee to Jerusalem, through his passion and death, to be the messengers of the resurrection. In all lists of women with Jesus, Mary Magdalene is placed first. She is one woman whom it has been impossible to ignore. And what has commentary made of her? A prostitute, by falsely associating her with the "sinful woman" of the previous episode in Luke. Ricci examines how and why this happened, in a fascinating inquiry into history and culture. So this is an inquiry into the real nature of Jesus' relationship with women, shown to be truly radical in the context of his time - and truly liberative. It rediscovers Mary Magdalene, and the "many others" who deserve to be remembered with her, as an essential component of the original "Jesus movement" and the early church.